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<title>New Books in the American South</title>
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<description>Interviews with scholars of the American South about their new books.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south</description>
<pubDate>Fri, 01 May 2026 11:36:38 +0000</pubDate>
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<title>Jack D. Noe, "Contesting Commemoration: The 1876 Centennial, Independence Day, and the Reconstruction-Era South" (LSU Press, 2021)</title>
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<description>Examining identity and nationalism in the Reconstruction-era South, Jack Noe’s Contesting Commemoration: The 1876 Centennial, Independence Day, and the Reconstruction-Era South (Louisiana State University Press, 2021) investigates debates concerning the One Hundredth Anniversary of American Independence. This commemoration, which came only seven years after the conclusion of the Civil War, provided a crucible for whites, Blacks, northerners, and southerners to reflect on their identity as Americans and their memories of the recent conflict.Using a rich archive, including a variety of newspapers, Contesting Commemoration illustrates how the Centennial became embroiled in the fierce political and racial debates of Reconstruction. African Americans celebrated this opportunity to assert their Americanness, while White Southerners approached the celebration with a profound pragmatism and flexibility, only partially re-embracing American nationalism as they attempted to maintain Southern distinctiveness.Conte...</description>
<pubDate>Mon, 18 Dec 2023 09:00:00 +0000</pubDate>
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<title>Michelle R. Scott, "T.O.B.A. Time: Black Vaudeville and the Theater Owners' Booking Association in Jazz-Age America" (U Illinois Press, 2023)</title>
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<description>Black vaudevillians and entertainers joked that T.O.B.A. stood for "tough on black artists." But the Theater Owner's Booking Association (T.O.B.A.) played a foundational role in the African American entertainment industry. T.O.B.A. Time: Black Vaudeville and the Theater Owners’ Booking Association in Jazz-Age America by Michelle R. Scott (University of Illinois Press, 2023) examines this circuit of vaudeville theaters active between 1920 and 1930 which booked blues singers, comedians, dancers, and many other kinds of entertainers into Black-serving theaters throughout the United States. T.O.B.A. launched and nurtured the careers of many Black performers including Cab Calloway, Sammy Davis Jr., Count Basie, Bessie Smith, Ethel Waters, and Hattie McDaniel. Scott traces T.O.B.A.’s antecedents in the first decades of the twentieth century and documents the ten years of its existence. She contextualizes T.O.B.A. within the politics of segregated America, the Black communities served by its theaters, and it...</description>
<pubDate>Mon, 18 Dec 2023 09:00:00 +0000</pubDate>
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<title>Jennifer E. Brooks, "Resident Strangers: Immigrant Laborers in New South Alabama" (LSU Press, 2022)</title>
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<description>Immigrant laborers who came to the New South in the late nineteenth and early twentieth centuries found themselves poised uncomfortably between white employers and the Black working class, a liminal and often precarious position. Campaigns to recruit immigrants primarily aimed to suppress Black agency and mobility. If that failed, both planters and industrialists imagined that immigrants might replace Blacks entirely. Thus, white officials, citizens, and employers embraced immigrants when they acted in ways that sustained Jim Crow. However, when they directly challenged established political and economic power structures, immigrant laborers found themselves ostracized, jailed, or worse, by the New South order. Both industrial employers and union officials lauded immigrants' hardworking and noble character when it suited their purposes, and both denigrated and racialized them when immigrant laborers acted independently.Jennifer E. Brooks's Resident Strangers: Immigrant Laborers in New South Alabama (LSU Pres...</description>
<pubDate>Sun, 12 Nov 2023 09:00:00 +0000</pubDate>
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<title>Cecilia Márquez, "Making the Latino South: A History of Racial Formation" (UNC Press, 2023)</title>
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<description>The presence of Latinx people in the American South has long confounded the region's persistent racial binaries. In Making the Latino South: A History of Racial Formation (UNC Press, 2023), Cecilia Márquez uses social and cultural history methods to assess the racial logics that have shaped the Latinx experience in the region since the middle of the twentieth century. Structuring her argument around several major themes that frequently signpost the history of the South and of race relations in the United States--the rise of an increasingly mobile middle class, the civil rights movement and fight over school integration, the growth global connection of the region's economy, and political conflict over immigration--Márquez reveals how Latinx people in the South have confronted both whiteness and antiblackness, and how cultural boundaries to exclude Black people from full participation in the life of the region and nation have been essential to the construction of Latinx as a category.Anna E. Lindner (Ph.D....</description>
<pubDate>Sun, 12 Nov 2023 09:00:00 +0000</pubDate>
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<title>Matthew J. Clavin, "Symbols of Freedom: Slavery and Resistance Before the Civil War" (NYU Press, 2023)</title>
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<description>In the early United States, anthems, flags, holidays, monuments, and memorials were powerful symbols of an American identity that helped unify a divided people. A language of freedom played a similar role in shaping the new nation. The Declaration of Independence’s assertion “that all men are created equal,” Patrick Henry’s cry of “Give me liberty, or give me death!,” and Francis Scott Key’s “star-spangled banner” waving over “the land of the free and the home of the brave,” were anthemic celebrations of a newly free people. Resonating across the country, they encouraged the creation of a republic where the right to “life, liberty, and the pursuit of happiness” was universal, natural, and inalienable.For enslaved people and their allies, the language and symbols that served as national touchstones made a mockery of freedom. Deriding the ideas that infused the republic’s founding, they encouraged an empty American culture that accepted the abstract notion of equality rather than the...</description>
<pubDate>Tue, 07 Nov 2023 09:00:00 +0000</pubDate>
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<title>Greg Beets and Richard Whymark, "A Curious Mix of People: The Underground Scene of '90s Austin" (U Texas Press, 2023)</title>
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<description>Ask anyone outside of Austin what they know about the city and chances are the first thing they'll mention is the music. While the Armadillo Era has been well-chronicled, there is no book about Austin music in the 90s. In their new book, A Curious Mix of People: The Underground Scene of '90s Austin (University of Texas Press, 2023), veterans of the sccene Greg Beets and Richard Whymark have put together an oral history of the decade. Beets and Whymark are not trying to cover all of the music made in Austin during the 1990s; they're most interested in the underground/punk community in which they participated. While a few of those bands got big (e.g., Spoon), the music remained mostly local, DIY. It was driven by live shows, though local media (radio, TV, print), record stores, and a few labels were also important to the story. Beets and Whymark devote chapters to those elements, but almost half of the chapters are based around a particular club. Organizing the book around physical spaces is not only app...</description>
<pubDate>Sun, 05 Nov 2023 09:00:00 +0000</pubDate>
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<title>Drew A. Swanson, "A Man of Bad Reputation: The Murder of John Stephens and the Contested Landscape of North Carolina Reconstruction" (UNC Press, 2023)</title>
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<description>Five years after the Civil War, North Carolina Republican state senator John W. Stephens was found murdered inside the Caswell County Courthouse. Stephens fought for the rights of freedpeople, and his killing by the Ku Klux Klan ultimately led to insurrection, Governor William W. Holden's impeachment, and the early unwinding of Reconstruction in North Carolina. In A Man of Bad Reputation: The Murder of John Stephens and the Contested Landscape of North Carolina Reconstruction (UNC Press, 2023), Drew A. Swanson tells a story of race, politics, and social power shaped by violence and profit. The struggle for dominance in Reconstruction-era rural North Carolina, Swanson argues, was an economic and ecological transformation. Arson, beating, and murder became tools to control people and landscapes, and the ramifications of this violence continued long afterward. The failure to prosecute anyone for decades after John Stephens's assassination left behind a vacuum, as each side shaped its own memory of Stephens and...</description>
<pubDate>Sat, 04 Nov 2023 08:00:00 +0000</pubDate>
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<title>Nikki M. Taylor, "Brooding over Bloody Revenge: Enslaved Women's Lethal Resistance" (Cambridge UP, 2023)</title>
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<description>From the colonial through the antebellum era, enslaved women in the US used lethal force as the ultimate form of resistance. By amplifying their voices and experiences, Brooding over Bloody Revenge: Enslaved Women's Lethal Resistance (Cambridge UP, 2023) strongly challenges assumptions that enslaved women only participated in covert, non-violent forms of resistance, when in fact they consistently seized justice for themselves and organized toward revolt.Nikki M. Taylor expertly reveals how women killed for deeply personal instances of injustice committed by their owners. The stories presented, which span centuries and legal contexts, demonstrate that these acts of lethal force were carefully pre-meditated. Enslaved women planned how and when their enslavers would die, what weapons and accomplices were necessary, and how to evade capture in the aftermath. Original and compelling, Brooding Over Bloody Revenge presents a window into the lives and philosophies of enslaved women who had their own ideas about j...</description>
<pubDate>Sat, 28 Oct 2023 08:00:00 +0000</pubDate>
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<title>Marisel C. Moreno, "Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art" (U Texas Press, 2022)</title>
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<description>Debates over the undocumented migration of Latin Americans invariably focus on the southern US border, but most migrants never cross that arbitrary line. Instead, many travel, via water, among the Caribbean islands. The first study to examine literary and artistic representations of undocumented migration within the Hispanophone Caribbean, Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art (U Texas Press, 2022) relates a journey that remains silenced and largely unknown.Analyzing works by novelists, short-story writers, poets, and visual artists replete with references to drowning and echoes of the Middle Passage, Marisel Moreno shines a spotlight on the plight that these migrants face. In some cases, Puerto Rico takes on a new role as a stepping-stone to the continental United States and the society migrants will join there. Meanwhile the land border between Haiti and the Dominican Republic, the only terrestrial border in the Hispanophone Caribbean, emerges as a...</description>
<pubDate>Fri, 27 Oct 2023 08:00:00 +0000</pubDate>
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<title>Danielle N. Boaz, "Voodoo: The History of a Racial Slur" (Oxford UP, 2023)</title>
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<description>Coined in the middle of the nineteenth century, the term "voodoo" has been deployed largely by people in the U.S. to refer to spiritual practices--real or imagined--among people of African descent. "Voodoo" is one way that white people have invoked their anxieties and stereotypes about Black people--to call them uncivilised, superstitious, hypersexual, violent, and cannibalistic.In Voodoo: The History of a Racial Slur (Oxford University Press, 2023), Dr. Danielle N. Boaz explores public perceptions of "voodoo" as they have varied over time, with an emphasis on the intricate connection between stereotypes of "voodoo" and debates about race and human rights. The term has its roots in the U.S. Civil War in the 1860s, especially following the Union takeover of New Orleans, when it was used to propagate the idea that Black Americans held certain "superstitions" that allegedly proved that they were unprepared for freedom, the right to vote, and the ability to hold public office. Similar stereotypes were later ext...</description>
<pubDate>Sat, 21 Oct 2023 08:00:00 +0000</pubDate>
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